Secret cinema : a decade of eventising, entrepreneurship and activism / Sarah Atkinson, Helen W. Kennedy.
This book presents a comprehensive history and analysis of Secret Cinema - the leading producer of large-scale immersive experiences in the UK. It examines how the company has evolved over twelve years from an experimental and artisanal organisation to a global leader in the field. The book focuses on the UK in late-2019, a point at which the immersive sector had grown significantly through its increasing contribution to GDP and its widespread recognition as a legitimate cultural offering. It captures an organisation and a sector transitioning from marginal and subcultural roots to a commodifiable and commercial form, now with recognisable professional roles and practices, which has contributed to the establishment of an immersive experience industry of national importance and global reach.
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| Person(en) | , |
|---|---|
| Institution | Manchester University Press, |
| Ort, Verlag, Jahr |
Manchester, UK
: Manchester University Press
, 2020
|
| Umfang | 1 online resource : : digital file(s). |
| ISBN | 1-5261-4018-7 9781526140197 9781526140173 9781526140180 (MUP) |
| Sprache | Englisch |
| Zusatzinfo | In English. |
| Andere Ausgaben | Print version:: Secret cinema: a decade of eventising, entrepreneurship and activism,. Manchester, UK. : Manchester University Press, 2020, |
| Online-Zugang | Manchester University Press EBS 2024 https://doi.org/10.7765/9781526140180 |
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| 245 | 1 | 0 | |a Secret cinema : |b a decade of eventising, entrepreneurship and activism / |c Sarah Atkinson, Helen W. Kennedy. |
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| 520 | |a This book presents a comprehensive history and analysis of Secret Cinema - the leading producer of large-scale immersive experiences in the UK. It examines how the company has evolved over twelve years from an experimental and artisanal organisation to a global leader in the field. The book focuses on the UK in late-2019, a point at which the immersive sector had grown significantly through its increasing contribution to GDP and its widespread recognition as a legitimate cultural offering. It captures an organisation and a sector transitioning from marginal and subcultural roots to a commodifiable and commercial form, now with recognisable professional roles and practices, which has contributed to the establishment of an immersive experience industry of national importance and global reach. | ||
| 650 | 0 | |a Motion picture audiences. | |
| 650 | 0 | |a Performing arts |x Audiences. | |
| 650 | 0 | |a Performing arts |x Management. | |
| 650 | 0 | |a Entrepreneurship. | |
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| 650 | 7 | |a PERFORMING ARTS / Film / History & Criticism |2 bisach | |
| 653 | |a Audiences. | ||
| 653 | |a Cinema. | ||
| 653 | |a Film Spectatorship. | ||
| 653 | |a Film. | ||
| 653 | |a Immersive Experiences. | ||
| 653 | |a Immersive Performance. | ||
| 653 | |a Live Cinema. | ||
| 653 | |a Media Industries. | ||
| 653 | |a Screen Industries. | ||
| 653 | |a Secret Cinema. | ||
| 700 | 1 | |a Kennedy, Helen W., |e author. | |
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