Anschaffungsvorschläge für de Freston, Tom

Das Buch ist bei deiner Buchhandlung vor Ort und bei vielen Online-Buchshops erhältlich! Über Grenzen hinweg Polarfuchs Miso läuft durch eine Welt, die wild, weit und wundersam ist. Leila und ihre Mutter folgen Miso auf dem abenteuerlichen Weg durch das endlose Eis der Arktis. Schon bald begegnen sich Leila und der Polarfuchs - und geraten dadurch beide in höchste Gefahr . Eine berührende Geschichte über die Wildnis und die Grenzen unserer Welt Eine außergewöhnliche Geschichte mit All-Age-Charakter der preisgekrönten Autorin Kiran Millwood Hargrave . Einfühlsam wird das Thema Migration aus der Sicht eines Kindes dargestellt. Verknüpft mit den Themen Tiere , Umwelt , Familie , Natur und Freundschaft wird dieses Abenteuer kindgerecht und warmherzig für Leser*innen ab 11 Jahren erzählt. Die atemberaubenden Illustrationen mit blauer Schmuckfarbe von Tom de Freston machen das Buch zu einem Highlight mit Klassikerpotenzial und zeigen, wie viele Geheimnisse das unendliche Eis und die Tiefe des Ozeans bergen. Ein wahres Kunstwerk! Für Fans von Wunder und Rico , Oskar und die Tieferschatten . Dieser Titel ist bei Antolin gelistet.

"a book full of love that makes you see what really matters, both in art and life. Clever, tender, completely compelling" - Ella RisbridgerIn 2020, artist Tom de Freston and his novelist wife Kiran Millwood Hargrave discovered they were expecting twins. But Kiran miscarried, and thus began a long journey to parenthood that saw the loss of six more pregnancies.De Freston began exploring his experience of the losses in his artwork, searching for a way to make sense of his grief and of his wife's. He finds representations of his feelings towards Kiran in Ovid's myth of Orpheus, who, in turning back to gaze upon Eurydice, loses her to the Underworld; a story which captures the longing for closeness within a couple, and the intense pain in the distance between them. His search for understanding leads him to artists and artworks from Titian and Francis Bacon to Braca Ettinger and Gerhard Richter. And as the miscarriages mounted and de Freston became ever more aware of the precarious bodily experience that is pregnancy, he excavates the erotic charge of the male gaze, its yearning for connection, and the desires and boundaries that exist between lovers, and between painter and painting.Addressed directly to De Freston's wife Kiran, Strange Bodies is an intimate, authentic, and powerfully moving account of a loving relationship that pulses with wonder and insight.

Anomie Publishing is an independent international arts publishing house based in London. This special edition of Anomie's catalogue has been produced to celebrate ten years of making and publishing books with some of the most exciting names in contemporary art (and beyond) of our times.Edited by Anna McNay and with an introduction by Anomie's publisher, Matt Price, the publication features entries on all of Anomie's titles from autumn 2013 to autumn 2023, along with Q&As with Anomie-published artists Anna Freeman Bentley, Tom de Freston, Nick Hornby, Matthew Krishanu, Kathryn Maple and Caroline Walker.Matt Price is a London-based arts publisher, editor and writer. He has published over sixty books and catalogues under his Anomie imprints, and edited publications for other publishers including Phaidon, Rizzoli, Thames & Hudson and Hatje Cantz. He has compiled and written two volumes of The Anomie Review of Contemporary British Painting. Anomie Publishing was established in 2013 in Wakefield, UK. Now based in London, Anomie is dedicated to enabling quality arts books - especially small and medium print-run titles - to reach the book trade. Anomie works in partnership with public and commercial galleries, museums, arts organisations, agencies, academic institutions, charities, collectors, established artist studios and private clients to publish or co-publish books. In 2022 Anomie started Anomie Collections - an initiative to encourage and support the private acquisition of works by British painters.

*Winner of the 2023 Wainwright Prize for Children's Writing on Nature & Conservation!*'A captivating tale that glistens with wonder. Leila and Fox will always have a home in my heart' Sophie Anderson'This is an extraordinary book - wild and beautiful and perfect' Katya BalenCome with an Arctic fox on a breathtaking journey ... an enthralling story from the bestselling, award-winning creators of Julia and the Shark. With dazzling blue and black illustrations, this is a perfect gift for 9+ fans of The Last Bear and A Wolf Called Wander.Fox wakes, and begins to walk. She crosses ice and snow, over mountains and across frozen oceans, encountering bears and birds beneath the endless daylight of an Arctic summer, navigating a world that is vast, wild and wondrous. Meanwhile, Leila embarks on a journey of her own - finding her way to the mother who left her. On a breathtaking journey across the sea, Leila rediscovers herself and the mother she thought she'd lost, with help from a determined little fox.Based on the true story of an Arctic fox who walked from Norway to Canada in seventy-six days, a distance of two thousand miles, this compelling, emotional and beautifully illustrated story is the perfect gift for 9+ readers.Praise for Julia and the Shark:'A tale of courage, understanding and compassion' The Observer'Julia and the Shark is deep, beautiful and true. The art shines and the writing soars. A classic from cover to cover' Eoin Colfer'A truly beautiful book, with text and illustrations in perfect harmony. A book to treasure!' Jacqueline WilsonKiran Millwood Hargrave is winner of the Wainwright Prize (in Sept 2023), the Waterstones Book Prize, and the British Book Awards Children's Book of the Year.

Tom de Freston (born 1983) is a British artist and writer, living and working in Oxford. He graduated from Cambridge University in 2007\. De Freston's multimedia art tackles themes of trauma, humanity and intimacy across paintings, films and performance. He builds rich visual narratives, drawing on literature, art history and social issues. A prolific author, Granta published de Freston's debut non-fiction book, _Wreck_, in 2022 and his second will be released in 2024\. _Julia and the Shark_ (Hachette, 2021), created with his wife Kiran Millwood Hargrave, won the Waterstones Children's Gift of the Year and was shortlisted for the Wainwright Prize for Children's Writing on Nature and Conservation. De Freston was chosen to illustrate the twenty-fifth-anniversary edition of David Almond's _Skellig_, published in 2023. _I Saw This_ was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017\. The paintings and mixed-media works that resulted from the project are an exploration into Souleman's experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year's Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston's studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum. The collaborative process involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage.Habda Rashid, Senior Curator of Modern and Contemporary Art at Kettle's Yard and the Fitzwilliam Museum, introduces _I Saw This_ and considers the challenges of incorporating elements from real life. Journalist Yasmina Floyer's contribution describes her reaction to de Freston's work at his 2022 exhibition _From Darkness_ at No 20 Arts, London, where she found that the sooty-black feet stencils and inky circles depicted resonated with her own experience of child loss. The moving text shows how de Freston's art carries both specific and universal meanings. Editor Matt Price focuses on de Freston's paintings, structuring his essay with fascinating quotes from Abu al-Ala al-Ma'arri, the eleventh-century blinded Arab philosopher. Crucially, de Freston, Jones and Souleman's voices are presentin the book, with each shedding light on their part in the project. De Freston's art is rooted in empathy and _I Saw This_ is a culmination of this, translating Souleman's world of memory and metaphor.

*Winner of the 2023 Wainwright Prize for Children's Writing on Nature & Conservation!*'A captivating tale that glistens with wonder. Leila and Fox will always have a home in my heart' Sophie Anderson'This is an extraordinary book - wild and beautiful and perfect' Katya BalenCome with an Arctic fox on a breathtaking journey ... an enthralling story from the bestselling, award-winning creators of Julia and the Shark. With dazzling blue and black illustrations and presented as a deluxe hardback with tracing paper inserts, this is a perfect gift for 9+ fans of The Last Bear and A Wolf Called Wander.Fox wakes, and begins to walk. She crosses ice and snow, over mountains and across frozen oceans, encountering bears and birds beneath the endless daylight of an Arctic summer, navigating a world that is vast, wild and wondrous. Meanwhile, Leila embarks on a journey of her own - finding her way to the mother who left her. On a breathtaking journey across the sea, Leila rediscovers herself and the mother she thought she'd lost, with help from a determined little fox.Based on the true story of an Arctic fox who walked from Norway to Canada in seventy-six days, a distance of two thousand miles, this compelling, emotional and beautifully illustrated story is the perfect gift for 9+ readers.Praise for Julia and the Shark:'A tale of courage, understanding and compassion' The Observer'Julia and the Shark is deep, beautiful and true. The art shines and the writing soars. A classic from cover to cover' Eoin Colfer'A truly beautiful book, with text and illustrations in perfect harmony. A book to treasure!' Jacqueline Wilson

A captivating, powerful and luminous story from a bestselling, award-winning author about a mother, a daughter, and the great Greenland shark. With mesmerising black and yellow illustrations and presented as a deluxe hardback with tracing paper inserts, this is a perfect gift for 9+ fans of David Almond and Frances Hardinge.'Such rich and vivid prose ... with beautiful illustrations by Tom de Freston' New York Times'Tom de Freston's stunning illustrations perfectly complement the poetry of Kiran Millwood Hargrave's story' Cressida Cowell'A truly beautiful book, with text and illustrations in perfect harmony. A book to treasure!' Jacqueline Wilson'Julia and the Shark is deep, beautiful and true. The art shines and the writing soars - a classic from cover to cover' Eoin Colfer'A rich, immersive and wondrous journey, through deep darkness to hope and light' Sophie Anderson, author of The House with Chicken LegsThe shark was beneath my bed, growing large as the room, large as the lighthouse, rising from unfathomable depths until it ripped the whole island from its roots. The bed was a boat, the shark a tide, and it pulled me so far out to sea I was only a speck, a spot, a mote, a dying star in an unending sky...Julia has followed her mum and dad to live on a remote island for the summer - her dad, for work; her mother, on a determined mission to find the elusive Greenland shark. But when her mother's obsession threatens to submerge them all, Julia finds herself on an adventure with dark depths and a lighthouse full of hope...A beautiful, lyrical, uplifting story about a mother, a daughter, and love - with timely themes of the importance of science and the environment.

In 1797 Friedrich Schlegel wrote that "philosophy of art usually lacks one of two things: either the philosophy, or the art." This collection of essays contains both the philosophy and the art. It brings together an international team of leading philosophers to address diverse philosophical issues raised by recent works of art. Each essay engages with a specific artwork and explores the connection between the image and the philosophical content. Thirteen contemporary philosophers demonstrate how philosophy can aid interpretation of the work of ten contemporary artists, including: Jesse Prinz on John CurrinBarry C. Smith and Edward Winters on Dexter DalwoodLydia Goehr and Sam Rose on Tom de FrestonRaymond Geuss on Adrian Ghenie and Chantal JoffeHallvard Lillehammer on Paul NobleM. M. McCabe and Alexis Papazoglou on Ged QuinnNoel Carroll on Paula RegoSimon Blackburn and Jerrold Levinson on George ShawSondra Bacharach on Yue Minjun.The discussion ranges over ethical, political, psychological and religious concepts, such as irony, disgust, apathy, inequality, physiognomy and wonder, to historical experiences of war, Marx-inspired political movements and Thatcherism, and standard problems in the philosophy of art, such as expression, style, depiction and ontology of art, as well as major topics in art history, such as vanitas painting, photography, pornography, and Dadaism. Many of the contributors are distinguished in areas of philosophy other than aesthetics and are writing about art for the first time. All show how productive the engagement can be between philosophy, more generally, and art.